下一站，幸福[电影解说]

　　In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a Coptic banker. He observes the affairs of her heart and incidentally discovers that she is involved in a plot against the British, meant to arm the Jewish underground in Palestine. The plot finally fails, Justine is sent to jail and Darley decides to return to England.　　- Written by Guy Bellinger （From IMDb）

　　Formerly, the usual UK title was THE BOGEY MAN AND THE FRENCH MURDERS. There's also a Greek video with the sleeve title, CALL GIRLS FOR INSPECTOR BOGART. The inspector is not named Bogart, nor does he get any call girls, but who cares? It's a title that sells.　　There's a killer in Paris, a suicide from the Eiffel Tower, a brothel as the main setting, insane professors, an eye-ball thief, an inspector who looks like Humphrey Bogart (for no apparent reason), a truly creepy Anita Ekberg, and an impressive line-up of Euro-stars. How Dick Randall assembled this cast is beyond me, but he did it. Besides Anita Ekberg, there's Rosalba Neri (who even sings a song in a nightclub), Barbara Bouchet, Evelyn Kraft, Howard Vernon, and Robert Sacchi as inspector Pontaine or Humphrey Bogart. The title is pretty accurate. The murders take place during, before or after sex in a brothel in Paris. In between, the Bogey-man snoops around trying to track down the killer, but he is not too bright. You'll probably have figured it out long before he does.　　The film's producer was American Dick Randall who took residence in Rome in the '60s but basically was wherever the deals where made, which meant Rome in the '60s, Bangkok and Hong Kong in the '70s and London in the '80s. Whilst residing in Italy, he payed close attention and decided to take a shot at the giallo as well, and produced this piece of cinematic soufflé. It's a perfect example of totally round the bend Euro-tosh, with a rather tame execution actually. The direction is not wildly imaginative, a workman's job at best, so don't expect outrageous Italian craftsmanship and style here, but some spicing-up in the editing by Bruno Mattei.　　The special effects were done by future Oscar-winner Carlo Rambaldi of ET fame. I guess he learned a lot since this one. Of course, the presence of Robert Sacchi, among some other ingredients (mostly the cast) give this film a certain weird identity of its own. All together, it's pretty much a poor man's interpretation of an Italian Giallo.　　The version on Mondo Macabro's DVD never existed in this form. From various copies, they assembled the longest version they could possibly paste together. There's an English audio-track, but a couple of scenes appear in Italian with subtitles.　　imdb comment

　　The film came out as "Detective Belli", starring Franco Nero, then a European heart-throb when the movie came out. Nero plays against type as an unrepentantly corrupt police detective. During the course of the investigation of a murder, Det. Belli makes his way through the upper society of Rome. Amazingly, he begins to develop a conscience and decides to "do the right thing" and find out who the real murderer is. Like all sentient males, he is attracted to Florinda Bolkan who looks fantastic in this film, having also shared the screen with Michael Caine in another movie around this time. The upshot--in a reprise of the famous ending scene in the Maltese Falcon, Nero confronts Bolkan in a graveyard and, although attracted to her, confronts her with the fact that she is the murderer. She tries to bribe him, alluding to a life together. Det. Belli is intransigent. But then, in a very atypical ending, she shoots him and he dies and she gets away with it. A very twisty thriller when it first came out. I enjoyed it and remember the surprise ending to this day.

　　居住在纽约的女诗人罗丝•伊利亚特（Irene Miracle 饰），某日在古书店买到一本由拉丁文写就的建筑类书籍。书中称这个世界上曾存在三个邪恶之母，它们四处散播恐怖与痛苦，最后分别为建筑师镇在罗马、纽约以及德国的弗莱堡的三个建筑中。罗丝怀疑她所居住的公寓便是书中提及的一处，她一面写信向远在罗马的弟弟马克（Leigh McCloskey 饰），随后自己则只身走入地下室一探究竟。　　收到信的马克与姐姐通话，然而电话却突然中断。他连忙赶至纽约，得知姐姐业已失踪。不得已，马克开始四处打探关于这本古书背后的秘密……

　　Sylvia 是一个化学家，她妈妈自杀的悲剧一直困扰着她，她要想一种方法去摆脱这种困扰……

　　帕特里克是一个年轻人，他的父亲经营一家偏远的水疗中心，他在路边事故中受伤，目前处于昏迷状态。几年后，在休赛期，有五个人来到了诊所。一个雄心勃勃的政客和他的妻子，一个游泳明星，他是一个富有投资者的儿子，一个说话强硬的男人和女人，他们在一起但睡在单独的房间里。他们受到了医生的新助手丽迪雅的迎接，还有两只恶狠狠地吠叫的狗。狗饲养员警告游泳者戴维斯离开。在诊所的一个锁着的部分，帕特里克躺在床上，连着三个昏迷的身体。医生有什么险恶的目的?客人们一个接一个地遇到麻烦。帕特里克有感情吗?

　　Edwige Fenech 饰演 Julie，一位意大利外交官（Manuel Gill）的妻子。度假回来不久，Julie 听说了系列暴力性犯罪的消息，（“是一名性欲狂吗？”他的司机问警察，答曰：“是的，不过他还用剃刀。”），使她想起了以前的情人Jean （Ivan Rassimov演）以及两人间曾经的狂乱的关系。Jean 在 Julie 参加的一个聚会上出现，并试图界入她的生活。此时，哀求神秘杀手的女受害者越来越多，这其中又有何复杂的联系呢？　　此片异常出色，有四个明显原因。首先最重要的是 Fenech 的出色表演。其次是 Martino 富有想象力的导演，在 Julie 和 Jean 性感神秘淫而不乱的两性游戏情节中表现得淋漓尽致，几近巅峰。其三，剧情紧凑丰满，角色表演令故事凝聚有力。最后同样重要的是Nora Orlandi那炫烂悠扬的配乐，加上画面的色彩凝重，镜头的讲究，令人难以忘却。

　　一开场即交代男主角是凶手后，通过螺旋的梦境和各种符号的堆积让观众眼花缭乱，在我们逐渐了解人物，了解事实真相的过程中，梦渐渐醒了过来，真相如宿醉后醒来的口干舌燥般让人不适。

　　简（艾德薇姬·芬妮齐 Edwige Fenech 饰）正在满心欢喜的等待着腹中的孩子降生，哪知道在这个节骨眼上，她遭遇了一场非常严重的车祸，这场车祸不仅使她永远的失去了孩子，还遭受了非常严重的精神创伤。自打车祸发生之后，简发现自己开始反反复复的做一个奇怪的梦，梦中是母亲被杀害的场景，而凶手给简留下的唯一印象就是他那独特的瞳孔。　　这个梦折磨的简生不如死，她不得不向心理医生求助，然而，心理医生非但没能够解决简的困扰，还进一步的将简推进了深渊之中。在心理诊所，简遇见了一个神秘的男人，这个男人竟然拥有着和她在梦中所看到的一模一样的古怪瞳孔。所有人都以为简疯了，包括她的恋人。

　　阿妮（Intira Jaroenpura 饰）是某杂志社会版的记者，她努力敬业，经常忘我地深入调查某一社会题材，以至于冷落了丈夫阿努。在朋友阿琛的拜托下，她参加到“悬案追追追”的策划中来。这次他们调查的是六年前发生的“瓦善医生案”，身为医生的瓦善（Worapong Nimwijitr 饰）残忍杀害了妻子，且尸体至今下落不明，该案引起社会广泛关注。阿妮走访了瓦善及其同事，但他们无一例外缄口不言。阿妮偶然听说瓦善家闹鬼的传言，于是亲自前去调查，竟然在窗外拍到诡异画面。在此之后，各种奇怪事件不断发生，阿妮身边鬼影幢幢。　　随着调查的深入，阿妮又发现另外两起与“瓦善案”存在诸多共同点的案件。这三起案件的背后究竟有什么样的联系？不断闪现的鬼影又是……

　　讲述伊丽莎白和科学家亨利结婚后，住进了后者的豪宅，亨利慷慨给予金钱、珠宝、高大上晚宴，其他人也都谦恭地对待着伊丽莎白，但她总有一种挥之不去的不安感。亨利向伊丽莎白保证现在他拥有的一切都是她的，唯独有一间上了锁的房间不允许进入。亨利出差后，伊丽莎白决定自己探寻真相，发现她可能不是自己所想的那样。

　　本剧改编自小说《天府之国魔与道》。本剧以90年代初，经济改革进入关键时期为背景，以公安刑警和犯罪集团的斗争为主线，展现了改革开放背景下公安队伍的发展变化，讴歌了公安刑警为维护社会治安的奉献和牺牲精神。　　萧文、张平、常闯分到刑警队，队长潘荣亲自当他们的师傅。潘荣带他们处理的第一案子是绑架案，被绑架的是江洲宾馆公关部的女经理梅莉。萧文一枪解决绑架者。潘荣对萧文擅自开枪不满意，可圆满的结果还是令他对徒弟们刮目相看……　　萧文该提升队长了，可主管的潘荣不同意，萧文去了行政科。行政工作萧文干得不错，可他总觉得不如刑警来劲，一气之下请求辞职。在冯局长和张平的支持下，萧文总算重回刑警队伍，可他已无任何官职，而且是去北海从事外围侦察工作，工作上心气不顺，弄得萧文和梅莉之间也出现了矛盾……　　本居是一部风格朴实、生动、自然、流畅，追求现实主义风格和纪实手法相结合、制作精良的优秀作品，折射出社会变革在人们思想、心态、感情和事业上的深刻影响。